Hatred Sublimed

hatred sublimed

work in progress

textileart, fibreart, tactileart

#zsuzsaszuts

sublime

Knitted Slogans - Whitney 2014

Lisa Anne Auerbach

knitted painting

 wool

"do not think do not worry"

Whitney Biennial 

2014

New York

We Are All Pussy Riot - Whitney 2014

Lisa Anne Auerbach

knitted sweater

 wool

"we are in the age of intuiton"

Whitney Biennial 

2014

New York

Plush Violence - Whitney 2014

Bjarne Melgaard

funhouse installation

detail

plush animals and dolls, video, custom made furniture

a moral tale

of 

 sex, disregard, violence, cruelty, mass suicide, terrorism -

of societal ruin

Whitney Biennial

2014

New York

Weaved Paintings - Whitney 2014

WariWalk

cotton paper silk 

Strike to the Mind's Eye

cotton and metallic fibre

Embedded Thougths

paper silk cotton and wool

Pineapple Crossword Puzzle

pineapple fibres

Sheila Hicks

weaved pieces

12x20 cm

details

the authenticity of the material...

Whitney Biennial

2014

New York

Sewn Painting - Whitney 2014

Molly Zuckerman-Hartung

Notley

painting on sewn canvas

details

latex house paint, enamel, silver spray paint on sewn drop cloth

Notley

218x335 cm

disobedience with the language 

of

zigzaggy lines versus circular gestures, 

feminine roundness versus masculine angularity

on sewing

Whitney Biennial

2014

New York

Embroidered Painting - Whitney 2014

Dona Nelson

Okie Dokie

two sided embroidered paintings 

dyed fabric, thread and acrylic on canvas

Whitney Biennial

2014

New York

American Kitsch-Art - Whitney 2014

Joel Otterson

Bottoms Up

Installation

detail

crystal and glass goblets, steel, metal chain, chopper and brass wire, 

electrical parts, rusty tools, lace tent, quilt 

Whitney Biennial

2014

New York

Robert Motherwell Early Collages

details

Robert Motherwell

Early Collages

Guggenheim

New York

After a trip to Mexiko in 1941 and under the tutorial of Roberto Matta Motherwell started the cutting, tearing, layering and glueing of decorative and special papers, maps, wooden veneers and textile pieces, painting them with the mastering of pastel colours... with fire oranges, ochre and golden yellows, dark blood reds, ultramarine and cobalt blues, mortal greys... light and dark tones... shiny and matt surfaces... he created a dark and raw abstract collage art with a touch of surrealist improvisatory technique.

MER KA BA / threeASFOUR

lasercut textiles combining sacred geometric patterns of synagogues, churches and mosques

by 

threeASFOUR

from Lebanon, Israel and Tajikistan.

Jewish Museum

New York

Basics

Robert Rauchenberg: Jammers

Stitched fetishes of love and loss, faded memories, fragments of souvenirs.

Gagosian

Body-Stich

"Human body rising up and diving down in the passing time, then resurfacing again in memory: up and down, up and down, like needle connecting frayed layers of past and present.

And everything gets sewn together but the thread is invisible."

Tóth Krisztina: Pixel

Woman Reading

Drawing
Ligeti's Le Grand Macabre, ENO

Woman Reading

textile appliqué 100/100 cm

2010